FVDED 2025: The Old Guard Reigns, But Subtronics Is Everything a Headliner Should Be

Source: UMF TV

By Ryan Hayes

Beyond Nostalgia: What’s Next

Aside from a very select handful of dance music festivals globally, most lineups still play it safe. Headliners continue to be pulled from EDM’s last “golden age”—a time when the genre’s dominance on the worldwide Top 40 catapulted a handful of DJs to mainstream icon status. That kind of reach will likely never be matched, and those same dozen-or-so acts still sit atop most festival posters around the world.

That’s not to say those artists are without merit—their names hold sway, their hits cut through generational barriers, and their sets have been meticulously honed over decades. They are dance music’s first true legacy vanguard.

But the scene has shifted. Today, it’s increasingly driven by branded niche artist events—where the current generation, no less talented than their predecessors, cultivate fanbases and headline events at unique venues curating genuine experiences. For diehard fans, these shows are priceless. Despite have legions of dedicated fans willing to travel to experience their shows the top of a mainstream festival lineup continues to elude many of these current heavyweights.

Festivals are massive financial burdens on the companies that throw them. Huge gambles banking on corner a market, and that makes risk difficult…but at what point in time does the old guard lose its cache? Or is the only way to continue traditional festivals to have the battle-worn star’s name in lights?

Regardless, shouldn’t the real excitement come from seeing someone fresh—someone pushing boundaries and innovating in real time?

Subtronics is one of those artists.

While he isn’t technically headlining FVDED, I expect—hope—that the audience he draws is as large and ravenous as any top-billed act all weekend.

His sound has evolved, but his signature remains: bass-heavy, tempo-shifting, sonically unique, emotionally genuine—and never taking itself too seriously. The hunger and drive to grow his singular brand is still front and center. And that deserves to be praised.

Bass, Chaos & Control: Subtronics Is Built for the Big Stage

Earlier this year, Subtronics took on the Ultra mainstage, a daunting tightrope walk balanced between appeasing 50,000 festivalgoers and staying true to a sound not traditional globally showcased.

Source: UMF TV

He triumphed, unleashing an hour of absolute madness. The key was accessibility, blending mainstream dance anthems like “Levels,” “Satisfaction,” and “Show Me Love” with originals like “Scream Saver,” “Amnesia,” and “Ecstasy of the Soul” (with Zeds Dead). He even dropped hard-hitting bass-infused mashups with iconic pop hits—“Livin’ on a Prayer,” “Set Fire to the Rain,” and “Where Have You Been.”

It was a set filled with twists and turns, countless remixes and VIPs, and a flood of unreleased IDs. With a track list spanning 46 tracks in 60 minutes—more than 95 if you count the mashups—it was adrenaline-fueled escapism at its best. Musical opium for the masses. And the best showing on bass/dub since Skrillex headlined Ultra in 2015.

Don’t get me wrong—his FVDED set will be aggressive. But his energy is contagious, his stage presence magnetic, and he always pulls back just before things tip into overload. It will be a rollercoaster.

Show up, strap in, and enjoy the ride. No matter what, it’ll be a memory. Subtronics is meant to be experienced in a sea of 10,000+ fans, all-in and going off. Subtronics is what moves the needle—and he’s reason enough to be there, front and center, for another unforgettable year at FVDED.

Open Radius Day One Delivered on Every Front

By Ryan Hayes

Day One of Open Radius was a vibe. The audience’s energy was immaculate—yes it was bolstered by the stellar acts, but the communal umbrella of house music was the driving force behind the event's air of camaraderie.

From traditional ‘raver’ attire to North Face rain jackets and blundstones everyone was welcome. Entry was smooth, the bars/bathrooms were ample, and the food trucks didn’t have outrageous lines. 

The festival's secondary stage, Propagate, dripped with an organic throwback aura. There was a sense that you were with a group of friends experiencing an impromptu party in an isolated location. It was intimate and authentic. Everyone there was looking to get lost in the music and the energy was both welcoming and contagious. 

Nic Fanciulli drew an early crowd to the mainstage. His new single ‘Hold On,’ only released 24 hours earlier was a hit, and everyone was primed for Gorgon City.

By the time Gorgon City was underway the weather had begun to turn. Moody skies, biting wind, and a mainstage backdropped with trees rustling and whispering through gusts of wind—a Vancouver May long special. Despite rain intermittently peppering the audience the crowd swelled undeterred by the weather. House heads were out in force, nothing was going to get in their way. 

Gorgon City’s pacing was on point, and they really ramped up the tempo for the back half of their set. The duo’s original productions ‘Voodoo,’ ‘5AM at Bagleys,’ and ‘All That You Need’ were all high points. Near the end of their set they dropped their newest release, ‘Run It Back,’ and an audible pop rippled through the crowd.  

Summit took the stage just before 8:30pm and hit the ground running; everyone had already settled in and embraced the BPM.

At this point in John Summit’s career there can be no doubt that he deserves to sit atop any festival lineup. His arsenal of modern anthems is unrivalled, his style of house is malleable (trance/DnB/bass all woven seamlessly) and his personality is magnetic.

The Alok remix of ‘Focus’ & the Odd Mob remix of ‘Palm Of My Hand’ crushed. And it was a true moment to see thousands sing along to Delirum’s nearly 30-year-old track ‘Silence.’ Summit’s newly minted remix modernizes the track for 2025 and festival goers have clearly not tired of, or forgotten, the chorus.

The night came to a close with ‘Where You Are,’ ‘Gas Pedal Remix,’ & ‘Go back.’ Two years after its release, ‘Where You Are’ still hits as a euphoric unifying anthem destined to be remembered as a certified top tier classic.

This may only be the second iteration of Open Radius, but the festival already feels fully realized and mature. See you next year. Rain or shine. Count me in.

LSR/CITY: Gareth Emery’s Dystopian Dancefloor Masterpiece

By Ryan Hayes

Last Saturday night, Gareth Emery welcomed 7,000 attendees into his technicolor opus. Like Willy Wonka opening the gates to his dreamworld for golden ticket holders, the Pacific Coliseum transformed into a futuristic dance music opera: LSR/CITY CYBERPUNK. Meticulously designed, the show was a visually stunning, immersive spectacle—every laser painstakingly timed to perfection with the beat.

The mesmerizing experience unfolded against the backdrop of a dystopian future, tugging at the heartstrings of music lovers. The narrative was all too believable: a modern society where human connection has been entirely lost to technology, and artificial intelligence has ensnared humanity’s attention, eradicating all creativity.

The greatest challenge of the concept lay in its delicate balancing act—urging attendees to reflect on their own technological dependencies and the future of humanity, all while a pulsing BPM and hypnotic lasers threatened to render the message hollow. It could have easily felt disjointed or superficial. Yet, the show’s campy undertones struck a surprising chord, and its sentimentality wove a cohesive narrative that transcended the typical dance music experience.

LSR/CITY’s hybrid nature seamlessly blended live elements, deepening audience immersion. A standout of the night was vocalist Annabel, who first collaborated with Gareth Emery in 2020 on his trance anthem You'll Be OK. Since then, she has become the unmistakable voice of LSR/CITY. In a music world saturated with rotating features, relying on a single vocalist was a bold choice—but it paid off, infusing the performance with authenticity and elevating the live experience.

Annabel's contributions allowed for tender moments throughout the show, offering a reprieve from the high-energy BPM-driven tracks. Black & White and Without You were both standouts. The crowd eagerly embraced every opportunity to sing along, but one of the night's most resonant moments was the live performance of LSR/CITY’s debut release—a trance reimagining of Madonna’s iconic dance-floor dominator Like A Prayer.

While the cinematic grandeur of the lasers was unparalleled, the spectacle occasionally led to shifts in audience energy. In moments of sheer awe—when particularly stunning visuals elicited audible gasps—many attendees instinctively reached for their phones to capture the experience. This desire to share the moment with friends and followers, though understandable, seemed at odds with the event’s thematic emphasis on genuine human connection over technology’s increasing stranglehold on society. The duality of modern life was on full display in these moments.

There is nothing quite like LSR/CITY, making it nearly impossible to capture the magnitude of Gareth’s accomplishment without a visual. Through a masterful fusion of technology and storytelling, he has created an experience that leaves an indelible impression.

Vancouver has long been a cherished destination for Gareth Emery, with Blueprint Events consistently supporting his work. As one of only two Canadian stops on the tour, fans are grateful for this enduring partnership. Whether you're a longtime Gareth Emery devotee or new to dance music, experiencing LSR/CITY is a must. The performance will leave you speechless, grinning from ear to ear.

With only nine stops left on the tour before Gareth takes an LSR/CITY hiatus, this is an experience you don’t want to miss.

Foundation Series: Open Radius Brings a House Music Odyssey to Vancouver This May Long Weekend

By Ryan Hayes

Open Radius, Blueprint’s premier house music event, is returning this May long weekend to the PNE Centre Grounds for its second voyage.  19+, two days, two stages, & over 20 talented house artists covering a diverse array of soundscapes to get lost in. Open Radius is set to function as the thirteenth event in Blueprint’s Foundations Series; the project began in February 2023 & deserves a large amount of credit for restoring vibrancy to the Vancouver scene.

House music’s favorite anthemic producer & bender advocate John Summit is headlining day one while the dark Queen of pulsing hard techno Sara Landry is taking the reins of day two. Supporting Summit on May 17th are renowned veterans of the scene Gorgon City. The duo is a must-see, as their sets dutifully deliver dynamic bass-driven house laden with soulful vocals. On May 18th Mau P is set to hold down alongside Sara Landry. After releasing "Drugs from Amsterdam” in 2022, rising star Mau P became a purveyor of the scene leading the way in the genre’s evolution.

Past the headliners, the true draw of Open Radius and the Foundation Series as a whole has always been the breadth of an event’s lineup. Outside of the four main heavy hitters, there are 16 immaculately curated artists representing the true diversity of house, striving to create the perfect backdrop for a long weekend steeped in good vibes. 

Discoverability at any festival is crucial, and Blueprint has worked hard with this series of shows to foster the right environment to welcome eager music lovers ready to experience the genre.

The event is rain or shine…and as we all know with May long weekend in Vancouver the odds are 50/50. But some of my favorite musical moments were made in the rain. Forged through a communal love for the intangible escape that a festival atmosphere can create, Open Radius is sure to fulfill this promise. Come for the headliners, stay for the experience. Leave with two days chock full of memories.

Click here to buy tickets.

Duke Dumont & House Music Thrive In Rainy Vancouver

By Ryan Hayes

It was a variable sea North Face, Arthrex, & Columbia at Blueprint’s Malkin Bowl season opener last Friday. An authentically Vancouver experience for Duke Dumont fans who were treated to an unadvertised extended three hour set by the house music auteur.

In a world of sixty-minute festival sets Friday’s format gave Duke time to breathe; his set evolved and progressed through tempos naturally the way true house should. Over the last year Blueprint has done a brilliant job fostering and nurturing the growth of the house scene in Vancouver through its Foundation series of events. And it shows.

The audience was primed and ready for anything Duke had in store. Just as twilight passed, and Duke donned a toque as the rain relentlessly continued, the crowd erupted—with an electric ripple—as ‘The Chant’ ended and he took a dark turn towards acid-tinged house.

In trademark fashion Duke let the music speak, uttering no more than four words over the course of the entire three hours. He sipped champagne from a red solo cup as he took house-heads on journey, and despite the weather the audience spirits never dampened.

As the first hint of ‘Ocean Drive’ kicked in to close out the night a euphoric sing along broke out, & we all left with a smile.

House is alive and well in Vancouver.